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Describe the connection issue. SearchWorks Catalog Stanford Libraries. Shakespeare, Aphra Behn, and the canon. Responsibility edited by W. Physical description p. Series Approaching literature. Online Available online. Full view. Green Library. S39 Unknown. More options. Find it at other libraries via WorldCat Limited preview. Contributor Owens, W. Goodman, Lizbeth, Bibliography Includes bibliographical references and index. HACC Library. Toggle navigation. Antigravity: Call of the Reviled Brought here on a lark, starlings are now at every turn. Science Database Searches Database Searches: Modern researchers posit that William Shakespeare may have drawn inspiration from contemporary scientific thinkers.
ScienceDirect College Edition Full text articles from scholarly journals on science and medicine, social sciences, and humanities. This focused but far-reaching work by the distinguished scholar Angus Fletcher reveals how early modern science and English poetry were in many ways components of one process: discovering the secrets of motion.
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- Shakespeare, Midlife, and Generativity;
- Identity Development in Adolescence and Adulthood.
- Heart of Darkness.
Beginning with the achievement of Galileo, Time, Space, and Motion identifies the problem of motion as the central cultural issue of the time, pursued through the poetry of the age, from Marlowe and Shakespeare to Ben Jonson and Milton. Shakespeare and Saturn by Peter D. Usher ISBN: In the mid-sixteenth century, Copernicus asserted that the Earth was not the center of the universe as was generally believed, but that the sun lay there instead.
The relegation of the Earth to the rank of an orbiting planet meant that humankind lost its privileged position as well, thus prompting re-evaluation of all facets of human existence. This transformation in worldview gathered momentum throughout Shakespeare's writing career, yet his canon appears to lack reference to it. Peter D. Usher has studied Hamlet and other Shakespearean plays and has uncovered a consistent pattern of reference to phenomena that prove the correctness of the new worldview, including reference to the infinite universe of stars.
This book gathers wide-ranging essays on the Italian Renaissance philosopher and cosmologist Giordano Bruno by one of the world's leading authorities on his work and life. Many of these essays were originally written in Italian and appear here in English for the first time.
Bruno is principally famous as a proponent of heliocentrism, the infinity of the universe, and the plurality of worlds. This volume uniquely draws together seven contemporary plays by a selection of the finest African women writers and practitioners from across the continent, offering a rich and diverse portrait of identity, politics, culture, gender issues and society in contemporary Africa. Not That Woman by Tosin Jobi-Tume Nigeria addresses issues of violence against women in Nigeria and its attendant conspiracy of silence. The play advocates zero-tolerance for violence against women and urges women to bury shame and speak out rather than suffer in silence.
It looks at how patriarchal society shapes the thinking of men regarding lobola bride price , how women endure abusive men and the role society at large plays in these issues. It critiques this, and by implication, other truth commissions. Unsettled by JC Niala Kenya deals with gender violence, land issues and relations of both black and white Kenyans living in, and returning to, the country.
Mbuzeni by Koleka Putuma South Africa is a story of four female orphans, aged eight to twelve, their sisterhood and their fixation with death and burials. It explores the unseen force that governs and dictates the laws that the villagers live by. Bonganyi by Sophia Kwachuh Mempuh Cameroon depicts the effects of colonialism as told through the story of a slave girl: a singer and dancer, who wants to win a competition to free her family. Each play also includes a biography of the playwright, the writer's own artistic statement, a production history of the play and a critical contextualisation of the theatrical landscape from which each woman is writing.
The book offers a startling account of Beckett's work, tracing the many political causes that framed his writing, commitments, collaborations and friendships, from the Scottsboro Boys to the Black Panthers, from Irish communism to Spanish republicanism to Algerian nationalism, and from campaigns against Irish and British censorship to anti-Apartheid and international human rights movements. Emilie Morin reveals a very different writer, whose career and work were shaped by a unique exposure to international politics, an unconventional perspective on political action and secretive political engagements.
Going through your second adolescence – aka the ‘middlepause’ | Life and style | The Guardian
It provides coverage of the set texts, guidance on interpretations and support for studying a range of practitioners, advice on approaching and assessing theatre visits and support for creating original drama and the Working Notebook. Structured so as to allow for co-teachability of AS and A Level and developed from OUP's well-loved resources for the previous specification, this new student book will provide all the support and guidance students need as they engage in their studies and prepare for assessments.
But even so long ago, some faced conflicts in their middle and later years that remain familiar today. Zender explores William Shakespeare's depictions of middle age by examining the relationships between middle-aged parents -- mainly fathers -- and their children in five of his greatest plays. He finds that the middle-aged characters in King Lear, Macbeth, Antony and Cleopatra, The Winter's Tale, and The Tempest -- much like their modern counterparts -- experience a fear of aging and debility.
Representations of middle age occur throughout the Shakespearean canon, in forms ranging from Jaques' "seven ages" speech in As You Like It to the emphasis -- almost an obsession -- in many plays on relations between the generations. Lear, Zender shows, tries to forestall the approach of old age with a fantasy of literal rebirth in his relationship with Cordelia.
Macbeth depicts an even more urgent struggle against midlife decline, while in Antony and Cleopatra, Shakespeare portrays two characters in midlife crisis who attempt to redefine their identities by memorializing their former status and power, now lost. Drawing on Erik Erikson's theory of generativity -- a midlife shift from advancing one's own career to aiding a younger generation -- Zender explores the difficulties Shakespeare's characters face as they transfer power and authority to their children and others in the next generation.
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Paying careful attention to the plays' moral and ethical implications, he demonstrates how Shakespeare's innovative depiction of the midlife experience focuses on internal psychological understanding rather than external actions such as ceremony and ritual. Illuminating and engaging, Shakespeare, Midlife, and Generativity offers a fresh analysis of several of Shakespeare's most important plays and explores a profound, centuries-old perspective on the challenges inherent in middle age.
A Reader's Guide to Modern Irish Drama provides an introduction to one of the great dramatic and theatrical traditions of Western culture. As a comprehensive contemporary study of Irish Drama, the book includes the most recent and youngest playwrights working today at the Abbey, Druid and Lyric Theatres. Perhaps most significantly, the guide discusses the important plays of all the playwrights included, and the major themes of Modern Irish Drama including: the struggle for independence, the cruelty of poverty, the pains of emigration and exile, the decline of the Anglo-Irish Ascendancy, the power of religion, the longing for land, and the familial and gender conflicts of a people in transition.
Finally, a selected bibliography for the study of Modern Irish Drama is included.
Midlife Crisis in the Article, Middle Adulthood Developmental Psychology
Irish actors and playwrights, operating both as individuals and within networks, were remarkably popular and potent during this period, especially in London. As ideas of Enlightenment percolated throughout Britain and Ireland, Irish theatrical practitioners - actors, managers, playwrights, critics and journalists - exploited a growing receptivity to Irish civility, and advanced a patriot agenda of political and economic autonomy. Mobility, toleration and the capacity to negotiate multiple allegiances are marked features of this Irish theatrical Enlightenment, whose ambitious participants saw little conflict between their twin loyalties to the Crown and to Ireland.
This collection of essays responds to recent work in the areas of eighteenth-century theatre studies, Irish studies and Enlightenment studies. The volume's discussions of genre, colonialism, gender, race, music, slavery, and dress open up new avenues of scholarship and research across disciplines.
During these years he produced many of his finest and most concentrated works for theatre, plays that included Not I, Ohio Impromptu, and Catastrophe; for television he wrote Eh Joe and Ghost Trio; while in prose, he produced the late 'trilogy' that comprises Company, Ill Seen Ill Said, and Worstward Ho.
In , Beckett was awarded the Nobel Prize in Literature, and the letters from this period show him struggling to cope with the pressures created by his ever-growing international fame. The letters reveal how, later, he turned his mind to his legacy, as seen through his interactions with biographers and archivists.